But in a year like this one, it breaks your heart. Heard at any time in the four decades since its making, “Echos” would be touching. ![]() ![]() Listening to “Echos” is as poignant as stumbling upon a roadside shrine of flowers, candles, and photos, but Ferreyra goes beyond creating a memorial to Mercedes: She defies death itself and resurrects her niece as an aural apparition. At other points, the melted murmurs and shimmered syllables feel soothing and psalm-like, as though the girl’s ghost is mourning herself. In places, the young woman’s voice flickers and trembles with playful delight, sounding impossibly alive. ![]() Recorded in 1978 but released for the first time this year, the piece is woven entirely from the voice of Ferreyra’s niece Mercedes Cornu, who died in a car accident prior to its composition. Argentine composer Beatriz Ferreyra is renowned for the disorienting spatiality and shape-shifting abstraction of her electronic and tape-based work, but it’s the human scale and raw intimacy of “Echos” that startle.
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